Matt Sheridan Smith’s “Soft Futures (price has no memory),” part of the 2011 winter’s art installation Total Recall at MetroTech in Downtown Brooklyn.
I felt myself being propelled into a world very much like the one laid out in front of me by French artists. I took one last look at the city of little domed cubes. Blow-up houses, an engorged cathedral – what a concept. I wondered if this girl, decked out in PVC pants, chain-link jewelry, and plastic high heels, was for real or just full of hot air.